Development
Traditional
Chinese music can be traced back 7,000 - 8,000 years based on the discovery of
a bone flute made in the Neolithic Age. In the Xia, Shang and Zhou Dynasties,
only royal families and dignitary officials enjoyed music, which was made on
chimes and bells. During the Tang Dynasty, dancing and singing entered the
mainstream, spreading from the royal court to the common people. With the
introduction of foreign religions such as Buddhism and Islam, exotic and
religious melodies were absorbed into Chinese music and were enjoyed by the
Chinese people at fairs organized by religious temples.
In the Song Dynasty, original opera such as Zaju and Nanxi was
performed in tearooms, theatres, and showplaces. Writers and artists liked it
so much that Ci, a new type of literature resembling lyrics, thrived. During
the Yuan Dynasty, qu, another type of literature based on music became popular.
This was also a period when many traditional musical instruments were developed
such as the pipa, the flute, and the zither.
During
the Ming (1368 - 1644) and Qing Dynasties (1644 - 1911), the art of traditional
opera developed rapidly and diversely in different regions. When these
distinctive opera styles were performed at the capital (now called Beijing),
artists combined the essence of the different styles and created Beijing
opera, one of three cornerstones of Chinese culture (the other two being
Chinese medicine and traditional Chinese painting) which continue to be
appreciated even in modern times.
Besides these types, Chinese peasants were clever enough to
compose folk songs, which also developed independently with local flavor. Folk
songs described working and daily life such as fishing, farming, and herding
and were very popular among the common people.
Traditional
Musical Instruments
They can be divided into four categories: stringed
instruments, percussion instruments, plucked instruments, and wind instruments.
The following are just a few of them:
Horse-Headed
Fiddle
The Horse-headed fiddle is a bowed stringed-instrument with a
scroll carved like a horse's head. It is popular in Mongolian music. With a
history of over 1,300 years, it even influenced European string music when
Marco Polo brought one back from his travels through Asia. Its wide tonal range
and deep, hazy tone color express the joy or pathos of a melody to its fullest.
The
Mongolian people bestowed upon their beloved horse-headed fiddle a fantastic
legend: during horse-racing at the Nadam Fair -- their featured grand
festival--a hero, Su He, and his white horse ran the fastest, which incurred
the envy and wrath of the duke. The cruel duke shot the horse dead, and Su He
grieved so much that he met his horse in a dream. In the dream, the horse told
Su He to make a fiddle from wood and the hair of a horse's tail, and to carve
the head of the fiddle in the shape of a horse's head. The lad followed the
horse's advice and when he finished, the fiddle produced an extremely vivid
sound. From then on, people loved this instrument and composed many songs for
it.
Lute (Pipa)
Originally named
after the loquat fruit, the earliest pipa known was found to have been made in
the Qin Dynasty (221 BC – 206 BC). By the the Tang Dynasty (618 - 907), the
pipa had reached its summit. It was loved by everyone--from the royal court to
the common folk--and it occupied the predominant place in the orchestra. Many
well known writers and poets created poems and mentioned it in their works. Bai
Juyi, the master poet, vividly depicted the performance like this: rapid and
soft notes mingled were just like big and small pearls dropping onto the jade
plates.
Afterwards, the pipa underwent improvement in playing techniques
and structure. Players then changed from holding the pipa transversely to
holding it vertically, and from using a pick to using the fingers to pluck the
strngs directly. In modern times, the volume and resonance has also been
improved. The traditional work 'Spring Moonlight on the Flowers by the River',
which has a history of over one hundred years, has brought harmony and a sense
of beauty to untold numbers of people.
Erhu
The Erhu, also
called 'Huqin', was introduced from the western region during the Tang Dynasty.
During the Song Dynasty (960 - 1279), it was refined and improved and new
variations appeared. It was also an important instrument for playing the melody
of Beijing Opera.
When playing, the player usually stands the Erhu on his lap, and
moves the bow across the vertical strings. The well-known music 'Two Springs
Reflect the Moon' was created by the blind folk artist Liu Yanjun, also named A
Bing by the people. Though he could not see anything of the world, he played
his Erhu using his heart and imagination. This melody conjures up a poetic
night scene under the moonlight and expresses the composer's desolation and
hope.
Flute
The earliest
flute was made from bone over 7,000 years ago. In the times since then, most
flutes were made of bamboo, which allowed even common people to play it. By
covering the holes and blowing through the side hole while moving the fingers
flexibly between the six holes, a sound will be produced that is leisurely and
mellifluous like sound from far away. This always reminds people of a pastoral
picture of a farmer riding on a bull while playing a flute.
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